Hey there, was wondering about format for when the scene changes. In professionally published books, if the scene is still following the same characters but just a little time has elapsed and the chapter hasn't changed then it's just a space inbetween the paragraph. e.g. paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 2 paragraph 2, etc. Now from what I read for formatting a manuscript they say to use ### or something similar. At the moment I only use that for significant scene changes, like following a different group of people or a change of viewpoint. e.g. paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, paragraph 1, ### paragraph 2 paragraph 2, etc. Should I be using ### for EVERY change in scene regardless, or do I just stick with what I've been doing so far which is the above example, of just an empty space for small time changes and ### only for large scene changes? Currently I assume the ### to be like when the book inserts an actual line (with what ever flourish accompanies it) for large scene changes.
Standard manuscript format would say to use a centered # to indicate a line break and ### to indicate a more formal scene break marked by a divider, but different publishers will occasionally interpret them differently. For example, the manuscript of my novelette “The Skull in the Tree” only used # for scene breaks. The publisher rendered that and all of the other scene breaks in the anthology like this: Personally, I’ve never cared what my publishers use to render scene breaks, as long as they’re clearly marked. # vs. ### is up to you, and you can always talk to the publisher about it before publication. What I wouldn’t do is leave a blank line in the manuscript itself, as it could create confusion over whether you just accidentally skipped a line or intend a scene break. # and ### have the advantage of being typesetter’s marks, so there won’t be ambiguity. Of course, if you’re self-publishing—and especially if you do your own typesetting—that may be a different story because you know what the blank line or whatever other scene break marker you use is supposed to mean.
Yeah, go with the marks when submitting like @X Equestris said. Mainly to assure that it's read properly without it cutting the page off so a naked break is undetectable. You never know when something will be printed or adjusted for font size on different e-readers/screens.
I would be careful about using too many of those. Think about how that's going to look on the page. Overuse could be quite jarring and/or distracting, pulling a reader out of the story.
Oh of course, I try not to have too many small scene breaks per chapter, let alone large one's if I feel it's better to have a chapter break instead. Occasionally though to move the scene along in a chapter, I may have a few small breaks, otherwise I'd have to write something that doesn't add to the story and bogs it down in monotonous detail where nothing happens but travel between areas.
I tend to disagree with rats here, lots of well established writers use scene breaks all the time. It’s no where near as distracting as having lots of chapter breaks