Logan Analysis

By Xoic · Jul 14, 2024 · ·
  1. [​IMG]
    Scuffed shoes in closeup tell almost the whole story—things are very much 'run down at the heels' for Logan these days, Plus the way he holds his feet and walks, more a pained shuffle than the spirited gait we expect from his earlier appearances. This is not the Logan we’re used to. His hair is all messed up, and he seems to be drunk or half asleep. Plus right here at the very beginning we see one claw won't come out all the way. Going into a fight and he can't get it all the way up. It's pretty brilliant really. These few images, compressed so closely right at the beginning, say a lot about not only Logan's state now, but that of the world he lives in and of the rest of the mutants. We just don't know that yet.

    This very much is not the MCU, or the regular X-Men world. That’s a clean, PG-rated world filled with the usual cliches. People in that world don’t suffer from problems like getting older, or if they do it’s glossed over so you don’t have to face the harsh realities of them. That’s one of the big cliches of superhero stories that make so many people dislike them. In general they lack any serious depth or realism.

    [​IMG]

    Scene where Logan picks up prescription for Charles. He's chugging whiskey straight from a bottle at the wheel of the car. This tells us he wasn't just half-asleep in the previous scene, he’s got a serious drinking problem. Then Donald Pierce gets in his back seat and calls him an addict. He thinks the pills are for Logan. At this point we don't know any different, and it would seem likely.

    Then immediately Donald introduces the main plot point for this section of the movie—that a Mexican woman is looking for Logan, and has stolen something from him (Donald). That would be the little girl, clone of Logan. I like the no-nonsense way the story is set in motion so rapidly, with no fanfare. Already we're given loads of atmosphere and character information, plus the story is starting to roll. I also like the "I'm a fan, by the way," just before he gets out. That sets up the idea that in this story world Logan is a celebrity. And is it just me, or does all the music in this early section of the movie sound a lot like the Johnny Cash version of Hurt? Which was used in the trailers to great effect. This Logan is hurt, in some serious ways, like we’ve never seen before. And clearly

    the healing factor he’s always relied on is no longer working like it should.

    That’s one of the major plot points, and just about everything else stems from it. In a sense time is the real enemy. Both Logan and Charles have obviously aged considerably, which is shocking considering in superhero stories decades often go by without the character aging at all. This is a very real world, pitiless and bleak, and it’s taken a serious toll on both men.

Comments

  1. Xoic
    There may well have been advance publicity for Jaws, mentioning the unstoppable killing machine that must always move forward, leading with that mouth. I'd say there definitely was. And Bruce is back out in the lead now. But I could be missing something even before any of these.
  2. Xoic
    Now I'm wondering exactly what Claremont meant by making Wolverine a 'failed Samurai.' Failed in what way? Because he can't control the inner beast when it takes over? I assume that's it. A Samurai has perfect control even when the sword is unsheathed. He's a "Masterless Ronin" (as stated by the Silver Samurai in The Wolverine) because he was built to be nothing more than a controlled weapon of the state (which is what a Samurai was) but he retained his humanity (I assume the healing factor kept healing it). His swords are built-in and emerge of their own volition when the killer beast is awakened in him. They're symbolic of his Wolverine personality, and so is the way he looks after being horribly mangled, like when he gets badly burned or loses lots of flesh and takes on the appearance of (as I said earlier) a fiend from beyond the grave. It's the true inner nature of his wild beast personality taking visible form—the Cronenberg thing again. Inner states manifesting physically in the flesh. It makes him look demonic. It's actually brilliant that he looks like that briefly and then takes on the appearance of a man again, like flashes of the hidden inner truth emerging momentarily—the monster born of torture and shaped by some evil government agency.
  3. Xoic
    Mostly the sections I listed earlier but haven't covered here yet are The Western and the Eastern, which is about the influence of Western films and the Samurai concept, and Born of Torture, about how trauma formed him into who and what he is. I'm not sure either one needs its own section. I certainly don't want to spend a great deal of time writing about trauma. I think it might work best to just include both in the introduction in a paragraph or even just a sentence or two. Or whatever is required.

    I also think I've reached a point where it needs some dwell time. Let it marinate for a few weeks or months, then maybe watch the movie again and see if anything new presents itself. After you've discovered a lot of the ideas lurking beneath the surface and written about them, you can often find new connections and deeper ideas you didn't spot before. It's a kind of see-sawing back and forth to find those smaller details, or ones you hadn't noticed before. And also your ideas are merging and growing in your mind. After taking a little time away when you get back into it you'll often find new ideas popping out and begging to be followed up on.
To make a comment simply sign up and become a member!
  1. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
    By continuing to use this site, you are consenting to our use of cookies.
    Dismiss Notice